…the “lace of light” from Iris van Herpen. Her inspiration is drawn from the ongoing hybridization of nature and technology.
I just want to know how she builds structure seemingly out of thin air.
Conceptual Materials Social Practice Artist
…the “lace of light” from Iris van Herpen. Her inspiration is drawn from the ongoing hybridization of nature and technology.
I just want to know how she builds structure seemingly out of thin air.
In honor of Juneteenth this year, I am sharing the public a recording of Textile Society of America’s 2022 colloquium series, (re)claiming futures.
Dr. Carolyn Mazloomi led a panel of leading Black quilters—Ed Johnetta Miller, Dorothy Burge and L’Merchie Frazier—who discussed their artwork through the lens of social justice, protest, and as a reflection of past and current situations adversely affecting the African American community.
These quilters are all members of the Women of Color Quilters Network, founded by Dr. Mazloomi. Karen Hampton, artist, TSA member made the opening and closing remarks.
(re)claiming futures is generously supported by the Lenore Tawney Foundation.
I love watching and learning from process videos.
I just discovered Robert Woods sculptural dress forms and I cannot get enough. I happen to have a bunch of tulle in my closet.
This weekend I am taking over Fiber Art Now’s Instagram page… #artisttakingoverfan
I recently Zoomed Kent State University museum’s excellent research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent with KSU Museum with co-curators, Joseph L. Underwood, assistant professor of art history at KSU and Tameka Ellington, associate professor at the School of Fashion at KSU.
To say, I felt seen during the webinar would be a massive understatement.
The talk explored topics such as the preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.
Black hair has long been an visual signifier that has been leveraged, disdained, celebrated, and scrutinized for centuries.
I have been studying exhibition photos on the website. The shape of the combs, product packaging, and masterworks from artists including Sonya Clark, Lorna Simpson, Mary Sibande and Lina Iris Viktor have left me truly inspired to dig out some unfinished rope hair pieces I stashed away at the beginning of the Pandemic.
While at Expo Chicago I met so many interesting people and organizations creating social practice art and making a difference in their community.
This is one of my favs…
Let me find out that the Black Creativity program at Museum of Science & Industry has been celebrating African American achievement in science, technology, engineering, art and medicine for 50 years.
When I spend time rifling through my art supply storage bins, this song plays as the stroundtrack in my head.
My narrative focuses on social justice and identity at the intersection of race and gender
My work exposes cultural tensions – racial trauma, identity politics and institutionalized prejudice.
My was recently featured by Artwork Archive on their blog. Have a look.