After The Dance


After The Dance
Theda Sandiford
22x12x5”
Wire, beaded bib, chenille, ribbon, acrylic yarns, metallic rayon fabric, metallic yarn knotted and wrapped on three ply cotton rope.
2024

After The Dance is a vibrant homage to the spirit of Caribbean carnival festivities—a celebration of the transformative power of joy. This piece, crafted from wire, a beaded bib, chenille, ribbon, acrylic yarns, metallic rayon fabric, metallic yarn, and three-ply cotton rope, captures the kaleidoscope of color and movement that defines carnival.

The textures and materials intertwine to evoke the exuberance of masquerade costumes, the rhythm of soca and calypso, and the shimmer of sequins catching the sun.

Through this work, I reflect on the ephemeral yet profound nature of carnival. The piece is a snapshot of the moments “after the dance,” when the streets grow quieter but the energy of celebration lingers, echoing in our bodies and spirits.

After The Dance invites the viewer to celebrate the beauty of transformation, community, and the enduring cultural legacies carried forward through carnival—a vivid reminder that even in the aftermath, the spirit of the dance lives on.

DIY Kumihimo Braiding Tool Using Pharmacy Pill Blister Packaging

In our increasingly waste-conscious world, finding creative ways to repurpose everyday items can inspire both art and sustainability. One such project is crafting a Kumihimo braiding tool from something many of us have lying around: empty pharmacy pill blister packaging. This unexpected material makes for a sturdy, flexible, and recyclable tool to create stunning braided cords.

2025 ST. CROIX, US VIRGIN ISLANDS ART & HISTORY TOUR

YOU ARE INVITED!

Dates: Wednesday, June 18 – Wednesday, June 25, 2025
Group Size: Limited to 20 Participants
Book Now: Space is Limited!

Discover the Rich Art & History of St. Croix

Join us for an unforgettable week exploring the vibrant art, fascinating history, and breathtaking beauty of St. Croix in the U.S. Virgin Islands. This exclusive tour is packed with enriching activities and indulgent experiences, including:

  • Visits to historic landmarks showcasing the island’s storied past.
  • Intimate introductions to St. Croix’s vibrant visual arts scene.
  • Relaxing beachside lunches by the emerald green waters of Christiansted and Frederiksted.
  • Evening dining, music, and fun under the stars.

Your stay includes accommodations at the beautiful Caravelle Hotel, offering a perfect blend of comfort and Caribbean charm.


Special Highlights

As part of this immersive experience, you’ll also get to:

  • Tour my studio and property for an eco-focused walking experience.
  • Sip on refreshing, homemade bush tea during a relaxing afternoon.
  • Learn about the connections between art, nature, and culture in St. Croix.

Pre-Payment Deadlines

  • 1st Deposit: Tuesday, March 18, 2025
  • Hotel Room Deposit: Tuesday, March 18, 2025
  • Ground Transportation Payment: Tuesday, April 1, 2025
  • Hotel Room Full Payment: Monday, June 2, 2025

Self-Pay Items

  • Flights: Book your own travel and plan to arrive at St. Croix, USVI by Wednesday, June 18th at 3:00 PM.
  • Meals: Self-pay for all meals.

Explore More Details


This unique opportunity is limited to just 20 participants, so don’t wait! Contact Norma Krieger at normakrieger@aol.com to reserve your spot today.

Come immerse yourself in the beauty, culture, and creativity of St. Croix. We can’t wait to welcome you!

Exhibitions Closing In December

CLOSING SOON

Radical Reimagining

Dates: October 9 – December 1

Location: Newark Museum of Art; 49 Washington St, Newark, NJ

American Tapestry Association’s Beyond: Tapestry Expanded

Exhibition Dates: August 26- December 15

Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN 

Purple Fiesta

When I’m Not Invited to the Party, I Throw a Little Fiesta for Myself

Theda Sandiford
Purple Fiesta
41 x 27 x 42 in  
1” cut strips of African print fabric, acrylic yarn, pony beads, pom poms, bells, 850 paracord, cool LED lights and ziptie blanket on a gold recovered shopping cart
2021

There’s something powerful about reclaiming joy, especially in spaces that feel exclusive or closed off. When I’m not invited to the party, I throw a little fiesta for myself—because joy, after all, is a form of resistance. This isn’t just about finding happiness but about creating my own space to celebrate life on my terms.

In my work, I built this Emotional Baggage Carts, layering vibrant colors, textures, and beads as a way to confront and carry the invisible weight of exclusion. But more than that, this cart is a declaration of self-worth and a release. This cart is a symbol of resilience—a reminder that even when the doors are closed, we still have the power to thrive.

Joy is transformative; it’s how we honor ourselves. By choosing joy, by dancing through our own fiestas, we reclaim the narrative and build new possibilities for ourselves—ones free from constraint, alive with self-love, and radiant with our own spirit.

Grass Is Not Greener

Theda Sandiford Grass Is Not Greener 40 x 21 x 39 in Gold painted recovered shopping cart with a bicycle bell, paracord, zip tie blanket, LED strobe light, batterie operated LED star lights and basket woven with marine line, fabric and paracord. 2022

“The Grass Is Greener” is a common idiom that expresses the idea that things always seem better, more desirable, or more appealing on the other side—often referring to someone else’s situation, possessions, or lifestyle. This phrase captures the human tendency to idealize what we don’t have and to believe that life would be better if we were in a different place or had different circumstances.

This suggests a sense of dissatisfaction with one’s current state, driven by the illusion that another situation might be more fulfilling or problem-free. However, it also implies that this perception may be misleading, as we are often unaware of the complexities and challenges that exist elsewhere.

This emotional baggage cart is filled with the weight of unmet expectations, the heavy burden of regret, and the frustration of chasing illusions. It carries the emotional toll of having uprooted oneself, either physically or mentally, in pursuit of something “better”—only to find that the new landscape is not as perfect as it seemed from a distance. This shopping cart serves as a metaphor for the journey of coming to terms with the complexities of desire and contentment, reminding us that fulfillment is often found not in the pursuit of what is elsewhere, but in the appreciation and tending to where we are now.

Building Space for Banana Fibers…

As I look forward to the completion of my studio, I can’t help but feel excited about the possibilities that will unfold once I finally have the space to work on projects I’ve only dreamed of. One of the things I’m eager to dive into is processing banana fibers. The idea of turning something so common in my environment into a material I can work with feels deeply satisfying—almost like a full-circle moment of creation.

Banana fibers are strong, flexible, and have such a beautiful, natural texture. But up until now, I’ve lacked the dedicated space to properly process them. Once the studio is built, I’ll have the room and the right environment to experiment, to let the fibers dry and cure, to extract them in ways that preserve their strength and integrity. In this new space, I’ll finally be able to explore the full potential of this material and see where it leads me artistically.

Stay tuned, because once this studio is up and running, I’ll be sharing the journey of working with banana fibers—and who knows what else will emerge in this new chapter of my creative practice!

Promo Code for Textile Alchemy Workshop

Textile Alchemy with Theda Sandiford
Saturday, March 8 + Saturday, March 15 with a midweek meetup

Take a virtual workshop with me. Learn new skills and techniques, get inspired, and find ways to apply what you learn to your current studio practice.

Receive 10% off when you register by December 15, 2024 with promo code EARLYBIRD

Interested in taking more than one workshop? Use code WORKSHOPS15 for 15% your total when you register for more than one workshop.

REGISTER NOW

Marine line and more

“Textile Alchemy” is an engaging and innovative workshop that combines the exploration of different environments—beaches, urban areas, and even our own closets—to source unique materials for textile art. Participants will learn how to source and creatively utilize found and upcycled materials from diverse environments to craft meaningful and sustainable textile pieces. The workshop emphasizes sustainability, resourcefulness, and innovation, encouraging participants to find artistic potential in the most unexpected places. By embracing a zero-waste philosophy, this workshop invites participants to turn what might be considered “waste” into “wonder.”

Book Review: In the Shadow of Slavery: Africa’s Botanical Legacy in the Atlantic World

I’m currently reading In the Shadow of Slavery: Africa’s Botanical Legacy in the Atlantic World by Judith Carney as part of my research into the folklore surrounding Provision Grounds on St. Croix. This book is a rich resource, not only for its deep historical analysis but for how it weaves together the botanical, cultural, and social legacies of enslaved Africans in the New World. It provides a vital context for understanding how African knowledge systems, particularly around agriculture and medicinal plants, played a crucial role in survival and resistance during the transatlantic slave trade.

The book does a remarkable job of showing how African botanical knowledge traveled across the Atlantic, taking root in the Caribbean, the American South, and other regions. What I found particularly compelling is the examination of Provision Grounds—small plots of land where enslaved people were able to cultivate food. These spaces became sites of autonomy and resistance, where African agricultural practices flourished despite the oppressive conditions of slavery.

The book also highlights the resilience of African people, whose knowledge of plants—whether for food, medicine, or rituals—was passed down through generations and became a key part of life in the New World. This legacy is still felt today in the foods we eat, the herbal remedies we use, and the traditions we uphold. The book reminds us that while slavery was a system of immense brutality, African culture survived, adapted, and influenced the world in profound ways.

One of the aspects I found particularly useful for my work is the book’s detailed exploration of specific plants and their uses, which provides a foundation for understanding how these botanical legacies have shaped not only survival but also identity in the African diaspora. For anyone interested in the intersection of history, agriculture, and cultural survival, In the Shadow of Slavery is a must-read. It’s a powerful reminder of the enduring strength of African traditions, especially in the face of immense adversity.

As I continue to work on my own project exploring the folklore and foodways of St. Croix, this book has given me both insight and inspiration. It’s not just about the plants themselves, but the stories and practices that surround them—how they offer a means of connection to the past, resistance in the present, and hope for the future.

Racism = 1mm of Skin

“Racism is one millimeter of skin.” This phrase has been resonating in my mind recently. It’s such a simple, yet powerful statement about the absurdity of prejudice—how something as superficial as the color of our skin has been used to divide, categorize, and dehumanize people for centuries.

One millimeter. That’s how thin the barrier is between us. Beneath that tiny, fragile layer, we are all made of the same flesh, bone, and spirit. Yet, historically, societies have built entire systems around that minuscule difference, elevating one group while oppressing another, just because of a variation in melanin.

I think about this often, especially as an artist whose work digs deep into history, memory, and identity. When you consider how much of human potential, creativity, and connection has been lost or warped due to racism, it feels overwhelming. How could something so small—so biologically insignificant—be the root of so much pain, hatred, and injustice?

But this phrase also gives me hope. If racism is just one millimeter of skin, then the truth of our shared humanity is always right there, just beneath the surface. The work we do, whether in art, activism, or everyday life, peels away that layer, revealing the sameness that lies underneath. By recognizing this, we can begin to dismantle the structures of racism and build something more equitable, something that honors the depth of who we truly are, beyond appearances.

As an artist, I feel it’s part of my responsibility to highlight this—to create works that speak to that deeper connection, that challenge the notion that skin color should determine worth. And every time I create, I’m peeling back that one millimeter, layer by layer, hoping that others will join me in this slow, necessary process of seeing beyond the surface.