My work exposes cultural tensions – racial trauma, identity politics and institutionalized prejudice.

Conceptual Materials Social Practice Artist
My work exposes cultural tensions – racial trauma, identity politics and institutionalized prejudice.
My was recently featured by Artwork Archive on their blog. Have a look.
In this weaving, each piece of yarn is representative of a conversation where I was acknowledged for being able to express my thoughts and ideas. Being told I’m well-spoken often comes off as a backhanded compliment. It carries problematic connotations that, it is unusual for someone of my race to be intelligent or eloquent.
The completed weaving is displayed on a DYI loom, as if the work is still in progress because some version of this conversation, continues still…
” . . . . Do what you can. Use what you have.” –Arthur Ashe
Ive been asked if the pandemic has affected me several times over the past year and a half…
The pandemic has forced me to rethink my social practice; how I create my work and source my materials are now done with social distancing in mind. Art supply swap meet ups became Glad bag recycled goodie drop offs with the doorman. In person work shops replaced by Zoom studio visits.
The pandemic alone time has given me space to be present to old emotional baggage and say good bye to many lingering conversations that have been inhabiting my head. Creating space for new and old ideas to co-mingle and inspire
Utilizing 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles, I lure you into her hue-imbued, enmeshed installations symbolizing natural hair. My bold, albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair.
Using personal conflict as a starting point, I juxtapose various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives.
Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.
Thursday, March 4, 2021 at 7-8pm The Center for Contemporary Art virtual studio visit. Register here.
Friday, March 5, 2021 6-9pm Weave Weird Baggagecarts JC Friday. Register here.
Please save these dates. Registration links forthcoming.
Thursday, May 27, 2021 7-9pm Microaggressions MoCADA Artist Talk
Saturday, June 12, 2021 3-5pm Microaggressions MoCADA Workshop
I am the third prize & solo exhibition winner in the International Juried Exhibition, Victor Davson, juror.
Join me for a virtual studio visit to see what Ive been up to this past year on Thursday March 4th @ 7:00pm ET.
Registration fee is free for members of The Center for Contemporary Art and $15 for non-members.