As I am setting up the new studio with a printmaking area, this video is providing food for thought for upcoming studio experiments.
Mark Johnson, former graduate student of Krishna Reddy’s and long-time collaborator, as he explains the viscosity printing process while printing from Reddy’s Clown Dissolving plate.
Ill be featured durning a St Croix Art Tour this June. The tour will make stops with several artists and historic sights. Click the image for more details and click here for tour prices
The HGA Fiber-A-Thon will be a day filled with inspiring stories, uplifting creativity, and an opportunity to make a difference. This event will be broadcast live on Zoom for 12 hours on Thursday, March 27th, starting at 12 noon Eastern Time, and promises to be an incredible showcase of talent, compassion, and community spirit.
I signed up for 2:10pm for a Studio Tour! After eight months of construction, I’ve finally moved into my new studio in St. Croix, USVI! I can’t wait to take you on a tour and share updates on the eco-artist retreat I’m building at Sky Garden STX.
The purpose of art is to lay bare the questions that have been concealed by the answers. — James Baldwin
My art confronts the unseen, the unspoken, and the deeply felt. I transform everyday materials—often discarded, often overlooked—into intricate works that challenge perceptions, provoke introspection, and bear witness to personal and collective experiences. Through my practice, I engage in conversations about race, gender, identity, and trauma, embedding within my pieces the stories and struggles that are often concealed beneath the surface of social discourse.
Materiality is at the heart of my work. I use found objects, textiles, marine debris, rope, beads, zip ties, and unconventional fibers to weave narratives of resilience and protection. These materials hold memory, energy, and history—I am drawn to the weight of objects that have passed through many hands, the textures that whisper of labor, care, and survival. By repurposing and recontextualizing them, I give voice to experiences that might otherwise be ignored. James Baldwin once said that the purpose of art is to lay bare the questions concealed by the answers, and that is exactly what I strive to do. My I Am My Hair series challenges microaggressions and the politics of Black hair, exposing the ways in which society polices personal expression. My Lost and Found series, created from fragments of the past—discarded netting, frayed fabric, twisted cordage—becomes a meditation on what is carried, lost, and recovered over time.
Through participatory projects like Free Your Mind, I invite the audience to become part of the dialogue, using art as a tool for healing, reflection, and community engagement. I encourage people to share their personal encounters with bias and discrimination, creating spaces where concealed experiences are laid bare, fostering empathy and understanding.
In an era when dominant narratives often seek to erase or rewrite history, my art insists on remembrance, on presence, on truth. It is both shield and mirror—offering protection and clarity in a world that often seeks to obscure. My work does not provide easy answers, but rather compels us to sit with the questions, to acknowledge the weight of silence, and to recognize the power of being seen.
Tangled In Time – close up 2Tangled In Time – close up 3
It’s shaping up to be a beautiful, art-filled stretch of spring and summer, and I wanted to share what’s coming up in my world—especially for those of you in the NYC/NJ/PA area who’ve been asking when we can connect.
First stop: Jersey City! I’ll be in town April 6–15, working on an installation project and staying at my studio at 15 Wilkinson Avenue, #3B2. I’m carving out time to get deep into the work, but I’m also hoping to squeeze in some good conversation, studio visits, and inspiration—so if you’re nearby, let’s connect.
After that, it’s back home to St. Croix to prepare for our Jubilee Pilgrimage to Rome (April 19–May 1). I’ve been brushing up on my Italian since November, and I’m beyond excited to explore the art, food, architecture, and rhythm of Italy—Pompeii, the Colosseum, the Trevi Fountain, and so many little moments in between. Can’t wait to share glimpses of it all with you.
On our return, we’re headed to Nyack, NY, to spend a quiet week with my mom (May 2–7)—always one of the sweetest resets.
Then, things pick back up again quickly. On May 7, I’ll be installing work for the 1-54 Contemporary African Art Fair, which runs May 8–11 in downtown NYC. If you’re planning to attend, please let me know—I’d love to see some familiar faces!
Later this summer, I’m thrilled to have work included in Fiberart International 2025, opening at Brew Arts in Pittsburgh on June 19. I’ll be at the artist walk-through on June 21, then swinging through Jersey City again for a few days (June 22–26) before heading to Millersville, PA for the MAFA Conference, where I’ll be installing an interactive Emotional Baggage Cart experience.
If you’re in NY, NJ, or PA, let’s find a moment to catch up—whether it’s a studio hang, a shared meal, or an art adventure. Drop me a line and let me know what dates might work. I can’t wait to hear what you’ve been up to.