The Work Beneath the Work

There is a kind of work that happens before the work.

It doesn’t photograph well.
It doesn’t post.
It doesn’t announce itself as progress.

It looks like walking.
Reading.
Sitting with something that hasn’t found its form yet.

It looks like silence.

I’ve learned not to rush that space anymore.
The in-between is not empty.
It’s where things are rearranging—quietly, stubbornly, beneath the surface.

For a long time, I thought sustaining a creative life meant producing constantly.
Keeping pace.
Keeping up.

But that’s not what holds.

What holds is the ability to return.
To come back to the work without ceremony.
Without perfection.
Without waiting to feel ready.

To return when it’s unclear.
When it’s slow.
When it feels like nothing is happening.

Because something is always happening.

These days, I ask myself simpler questions:
What is my practice asking of me right now?
What is the smallest way I can show up today?

And I listen.

Making room has become part of the work.
Not a pause from it,
but the place where it begins.

Borderlands: Soft Margins, Hard Truths — A Closing Reflection

As Borderlands: Soft Margins, Hard Truths closes at Cummings Art Galleries, I keep thinking about thresholds.

Curated by nico w. okoro, the exhibition asked us to look closely at race, space, and place and to imagine something freer than the histories that shaped them. The work was soft in material, but steady in truth.

This show also held a first for me. It was the first time my poetry was shared publicly in a gallery. Seeing my words on the wall felt makes me feel exposed. And somehow exactly right. Another layer of my practice stepping into the light.

Borderlands aren’t theoretical for me. They live in the body. In identity. In the small adjustments we make to move through rooms not built with us in mind.

The show closing isn’t an ending. It’s an exhale.

The lights dim. The questions come home with me.

And the work continues.

Between Shore and Source

In this world,
we move as pilgrims,
marked by water,
walking the thin edge
between dust and forever.

The waters recognize us,
ancient, patient,
older than our names.
We are drawn, like the moon,
toward what first gave us breath.

When the waves rise,
they do not threaten.
They beckon.
a remembering,
a call we’ve heard before.

Here, surrender is not loss.
It is released.
A yielding that leads
not to vanishing,
but to return.

Currents carry us
back toward mercy,
back toward the place
where beginnings still wait.

As rivers loosen their grip
and open into the sea,
so we learn to let go
of what weighs the soul.

In the depths,
there is no striving.
Only rest.

And in the quiet heart of the waters,
we are gathered,
held,
and made whole.

a poem by Theda Sandiford