Beaded Yellow Gal


Beaded Yellow Gal
Theda Sandiford
80x16x5”
Upcycled textiles knotted on braided rope, knotted with cotton string eyelash yarn, fringe and a string of antique bells.
2023

Beaded Yellow Gal transforms a childhood label into a vibrant narrative of self-definition. This work is made from upcycled linens, knotted into braided rope, intertwined with cotton string, eyelash yarn, cascading fringe, and adorned with a string of antique bells. Each element serves as both a reflection of personal history and a declaration of reclamation.

As a child, being called “yellow gal” was an imposed identity. This work channels those experiences into a masquerade costume of vivid color, movement, and sound. The antique bells echo the complex duality of celebration and weight, signaling liberation while reminding us of the chains of societal labels. The knots and textures speak to the intricate weave of identity, shaped by memory, context, and culture.

In transforming this identity into a carnival costume, I claim agency over a narrative once imposed on me. This piece becomes a symbol of transformation—a vibrant expression of joy and defiance that can be worn but, crucially, also taken off. It reminds us that the labels others place on us do not define who we are but can become threads in the larger tapestry of our self-created story.

After The Dance


After The Dance
Theda Sandiford
22x12x5”
Wire, beaded bib, chenille, ribbon, acrylic yarns, metallic rayon fabric, metallic yarn knotted and wrapped on three ply cotton rope.
2024

After The Dance is a vibrant homage to the spirit of Caribbean carnival festivities—a celebration of the transformative power of joy. This piece, crafted from wire, a beaded bib, chenille, ribbon, acrylic yarns, metallic rayon fabric, metallic yarn, and three-ply cotton rope, captures the kaleidoscope of color and movement that defines carnival.

The textures and materials intertwine to evoke the exuberance of masquerade costumes, the rhythm of soca and calypso, and the shimmer of sequins catching the sun.

Through this work, I reflect on the ephemeral yet profound nature of carnival. The piece is a snapshot of the moments “after the dance,” when the streets grow quieter but the energy of celebration lingers, echoing in our bodies and spirits.

After The Dance invites the viewer to celebrate the beauty of transformation, community, and the enduring cultural legacies carried forward through carnival—a vivid reminder that even in the aftermath, the spirit of the dance lives on.