Theda Sandiford is a Conceptual Materials Social Practice Artist who uses everyday objects—like zip ties, bottle caps, and marine debris—to explore themes of equity, inclusion, and microaggressions. Her art draws on her lived experiences and challenges societal biases, using materials that reflect resilience and transformation. The “Blackity Black Blanket,” a prominent piece, uses zip ties woven into fishing nets, symbolizing both softness and discomfort to represent the persistent “poking” of microaggressions. Sandiford’s work often delves into the subtle, often unintentional, racial biases that marginalized people face daily, such as backhanded compliments or prejudiced behaviors. She encourages awareness and mindfulness of these microaggressions, advocating for empathy and a deeper understanding of others’ experiences. Her installations, inspired by marine waste and personal artifacts, invite viewers to engage with challenging conversations around stereotypes and bias, using her art to spark dialogue and reflection on societal issues.
Discover more about Theda Sandiford’s remarkable journey and the stories behind her work in her interview with Fibre Arts Take Two. You can read the full interview here.