Sensing Woman is a gathering to shift minds and hearts, featuring 50 contemporary visual artworks, and programs spanning culture, medicine, and governance on female embodiment.
All profits will be donated to organizations working to protect and defend autonomy over our bodies, maternal health, and care for women, including The Center for Reproductive Rights and The Center for Intimacy Justice.
Learn more about the curator, Christina Massey’s vision for the project HERE.
Exhibition Dates: September 27- October 1
Location: C24 Gallery, 560 W 24th St, New York, NY
The gallery is free and open to the public daily from 3-6pm.
I will be giving an Artist Talk on Thursday, September 29th 10:30am
To all my California people, the last chance to see my works “Thunderdome” and ” in Roseville CA is coming up.
The Closing Reception is May 21, 4:00 – 8:00pm
Exhibition Dates: April 1 – May 28, 2022
Location: Blue Lines Arts: 405 Vernon Street Suite 100, Roseville, CA
Craft Nouveau is Blue Line Arts‘ biennial juried fine craft competition, open to artists internationally. The exhibition seeks to spark dialogue on traditional delineations between fine craft and art, and highlight mediums and processes typically associated with craft.
Recycled commercial fishing net, ribbon, and paracord
64 x 12 x 6 in
September 2020
My piece, “Lady Whistledown” chosen by juror, Margaret M. O’Reilly, the Executive Director and Curator of Fine Art at the New Jersey State Museum., in the upcoming exhibit 2022 New Jersey Arts Annual: Reemergence.
This open call invited a range of artistic practices and media to explore the theme Reemergence.
The opening reception is Thursday, June 16 , 6:30- 8:30pm
2022 New Jersey Arts Annual: Reemergence will be on view from June 18, 2022 through April 30, 2023.
Location: New Jersey State Museum; 205 West State Street Trenton NJ
In this weaving, each piece of yarn is representative of a conversation where I was acknowledged for being able to express my thoughts and ideas. Being told I’m well-spoken often comes off as a backhanded compliment. It carries problematic connotations that, it is unusual for someone of my race to be intelligent or eloquent.
The completed weaving is displayed on a DYI loom, as if the work is still in progress because some version of this conversation, continues still…