Textures: The History and Art of Black Hair

I recently Zoomed Kent State University museum’s excellent research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent with KSU Museum with co-curators, Joseph L. Underwood, assistant professor of art history at KSU and Tameka Ellington, associate professor at the School of Fashion at KSU.

To say, I felt seen during the webinar would be a massive understatement.

The talk explored topics such as the preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.  

Black hair has long been an visual signifier that has been leveraged, disdained, celebrated, and scrutinized for centuries.

I have been studying exhibition photos on the website. The shape of the combs, product packaging, and masterworks from artists including Sonya Clark, Lorna Simpson, Mary Sibande and Lina Iris Viktor have left me truly inspired to dig out some unfinished rope hair pieces I stashed away at the beginning of the Pandemic.

Sonya Clark
Black Hair Flag, 2010

Rope Work: Yarn Embellishment Party

Finger dexterity has devolved into early stage carpal tunnel.

Join us for the next sewing circle session. We will be embellishing the wrapped rope with pony beads, recycled bottle cap jewels and pink army men.

Saturday Jan 26th 12-3pm RSVP Here

LOCATION: Garden Level Gallery 315 3rd Street, Jersey City, New Jersey 07302

Rope Work: Sewing Circle

There is something cathartic about wrapping yarn and rope. The yarn in my hand. The dexterity of my fingers. My failing eyesight…

If you join one of my upcoming sewing circle sessions, we will wrap rope and embellish the rope with pony beads, garland and pink army men. No experience necessary.

Saturday Jan 12th 12-3pm RSVP here

Saturday Jan 26th 12-3pm RSVP Here

LOCATION: Garden Level Gallery 315 3rd Street, Jersey City, New Jersey 07302

[youtube https://www.youtube.com/watch?v=ctWH1Sofyrs&w=560&h=315]