The Language of Materials: Art as Witness and Dialogue

The purpose of art is to lay bare the questions that have been concealed by the answers.
 — James Baldwin

My art confronts the unseen, the unspoken, and the deeply felt. I transform everyday materials—often discarded, often overlooked—into intricate works that challenge perceptions, provoke introspection, and bear witness to personal and collective experiences. Through my practice, I engage in conversations about race, gender, identity, and trauma, embedding within my pieces the stories and struggles that are often concealed beneath the surface of social discourse.

Materiality is at the heart of my work. I use found objects, textiles, marine debris, rope, beads, zip ties, and unconventional fibers to weave narratives of resilience and protection. These materials hold memory, energy, and history—I am drawn to the weight of objects that have passed through many hands, the textures that whisper of labor, care, and survival. By repurposing and recontextualizing them, I give voice to experiences that might otherwise be ignored. James Baldwin once said that the purpose of art is to lay bare the questions concealed by the answers, and that is exactly what I strive to do. My I Am My Hair series challenges microaggressions and the politics of Black hair, exposing the ways in which society polices personal expression. My Lost and Found series, created from fragments of the past—discarded netting, frayed fabric, twisted cordage—becomes a meditation on what is carried, lost, and recovered over time.

Through participatory projects like Free Your Mind, I invite the audience to become part of the dialogue, using art as a tool for healing, reflection, and community engagement. I encourage people to share their personal encounters with bias and discrimination, creating spaces where concealed experiences are laid bare, fostering empathy and understanding.

In an era when dominant narratives often seek to erase or rewrite history, my art insists on remembrance, on presence, on truth. It is both shield and mirror—offering protection and clarity in a world that often seeks to obscure. My work does not provide easy answers, but rather compels us to sit with the questions, to acknowledge the weight of silence, and to recognize the power of being seen.

Spring into Summer: Studio Time, Travel, and Art Adventures Ahead

It’s shaping up to be a beautiful, art-filled stretch of spring and summer, and I wanted to share what’s coming up in my world—especially for those of you in the NYC/NJ/PA area who’ve been asking when we can connect.

First stop: Jersey City! I’ll be in town April 6–15, working on an installation project and staying at my studio at 15 Wilkinson Avenue, #3B2. I’m carving out time to get deep into the work, but I’m also hoping to squeeze in some good conversation, studio visits, and inspiration—so if you’re nearby, let’s connect.

After that, it’s back home to St. Croix to prepare for our Jubilee Pilgrimage to Rome (April 19–May 1). I’ve been brushing up on my Italian since November, and I’m beyond excited to explore the art, food, architecture, and rhythm of Italy—Pompeii, the Colosseum, the Trevi Fountain, and so many little moments in between. Can’t wait to share glimpses of it all with you.

On our return, we’re headed to Nyack, NY, to spend a quiet week with my mom (May 2–7)—always one of the sweetest resets.

Then, things pick back up again quickly. On May 7, I’ll be installing work for the 1-54 Contemporary African Art Fair, which runs May 8–11 in downtown NYC. If you’re planning to attend, please let me know—I’d love to see some familiar faces!

Later this summer, I’m thrilled to have work included in Fiberart International 2025, opening at Brew Arts in Pittsburgh on June 19. I’ll be at the artist walk-through on June 21, then swinging through Jersey City again for a few days (June 22–26) before heading to Millersville, PA for the MAFA Conference, where I’ll be installing an interactive Emotional Baggage Cart experience.

If you’re in NY, NJ, or PA, let’s find a moment to catch up—whether it’s a studio hang, a shared meal, or an art adventure. Drop me a line and let me know what dates might work. I can’t wait to hear what you’ve been up to.

March: Celebrating Small Wins

This month, I’m focused on noticing and celebrating the small wins that often get overlooked. In a world that sometimes measures success by big, public milestones, I’m finding joy in the quieter victories that keep me moving forward.

Completing an unfinished piece of art, mentoring a student through their first creative breakthrough, or building raised beds the prepare for the next growing season—these moments might seem small on their own, but they build toward something much larger. Acknowledging them helps me stay motivated and connected to my goals.

One particularly meaningful experience these past months is seeing how our first residency artists at Sky Garden have settled into the space. Watching someone else find inspiration here, has affirmed my belief in the power of this creative community. And the resulting feedback has been helpful in refining Sky Garden programming and the compound itself

As I work toward the longer-term project, launching the paid residency programming, I’m learning to embrace patience and trust in the process. There’s something grounding about celebrating what’s already been accomplished rather than focusing solely on what’s ahead.

These reflections remind me to pause and appreciate the journey. Progress isn’t always dramatic; often, it’s the steady accumulation of small, meaningful steps.

February: Building Structure into Creative Practice

Theda with Bottle Cap Pearls

This month, I’ve been focusing on the rhythms of my days, creating a structure that supports both productivity and joy. Balancing time between the studio, Sky Garden Gallery projects, and my commitments to Hidden Beach requires intentionality, but it’s rewarding to see everything coming together.

One thing I’ve found helpful is setting clear boundaries around my creative time. Mornings are now sacred for studio work. Whether I’m stitching, dyeing, or sketching, this uninterrupted time allows me to immerse myself in the process. Afternoons often shift to collaboration—mentoring residency artists or planning upcoming events, like our new Art Salon Dinner series.

Adapting to this structure hasn’t been without challenges. Some days flow effortlessly; others feel scattered. I’ve learned to be flexible and forgiving, recognizing that creativity isn’t always linear. Taking short breaks to walk Sky Garden STX or sit quietly under the canopy of the Saman tree often helps me reset.

This balance of structure and spontaneity has deepened my connection to my practice. I’m reminded that nurturing creativity is as much about showing up consistently as it is about staying open to inspiration when it comes.

As February ends, I feel grateful for the steady foundation I’m building. It’s a reminder that success doesn’t come from rushing toward goals but from weaving intention into the fabric of each day.

I Keep Seeing 11, 1:11, and 11:11… EVERYWHERE

Have you ever caught yourself looking at the clock at just the right moment—11:11—or noticed 1:11 appearing on receipts, phone screens, or random places? Lately, these numbers have been showing up in my daily life with such consistency that I had to stop and reflect: What am I supposed to do with this message?

Understanding the Meaning

In numerology and spiritual traditions, repeating ones—11, 1:11, and 11:11—are often seen as signs of spiritual awakening, alignment, and manifestation. They serve as reminders that our thoughts, intentions, and actions are creating our reality. But beyond their meaning, what really matters is how we respond to these signs.

As an artist, I see the world in layers—meanings hidden beneath surfaces, waiting to be uncovered. When these numbers appear, I take them as cues to turn inward, realign with my purpose, and take intentional action in my life and creative practice.

Pause and Reflect

When I see 11:11, I take a deep breath. I close my eyes, take a deep breath, and ask: What am I feeling in this moment? These numbers are an invitation to step out of autopilot and check in with myself. Am I feeling aligned with my path? Am I honoring my creative spirit? Sometimes, this moment of stillness reveals exactly what I need to hear.

Refocus My Intentions

Numbers like 1:11 and 11:11 remind me that my thoughts shape my reality. If I’m caught in a spiral of doubt or worry, this is my signal to shift my mindset. Instead of asking “Why isn’t this working?” I ask, What small step can I take today to move forward? This shift in focus keeps me grounded and empowered.

Take Aligned Action

Receiving these signs means nothing if I don’t respond to them. When these numbers appear, I ask: What is one action I can take right now to honor this message? Maybe it’s picking up my sketchbook, reaching out to a friend, or simply choosing to trust myself. These numbers remind me that change happens through small, intentional choices.

Stay Open and Trust the Process

Sometimes, I don’t immediately understand why these numbers appear, and that’s okay. Not every message needs to be deciphered right away. Instead, I trust that I’m being guided, even if the path ahead isn’t fully clear. The key is to remain open—to inspiration, to possibility, to unexpected opportunities.

What’s Your Next Step?

If you’re seeing 11, 1:11, or 11:11, take it as a moment to pause, reflect, and realign. What is the universe asking you to notice? What step, no matter how small, can you take today? These numbers aren’t just signs—they are invitations to step more fully into who you are meant to be.

Have you been seeing these numbers too? How do you respond when they appear? Let’s talk about it! ✨

January: Setting Intentions for a Creative Year

As the new year begins, I’m embracing the opportunity to focus on my creative practice and nurture meaningful projects here in the rainforest. This year feels like a chance to grow, not just as an artist but also as someone committed to honoring cultural heritage and community through my work.

I’ve started by grounding myself in clear intentions, aligning my daily routine with my long-term vision for Sky Garden STX. Each morning, I take time to reflect, write, and plan, ensuring that my efforts stay purposeful. Whether I’m in the studio, collaborating with others, or tending to the Provision Ground ruins, every action connects back to what I hope to achieve.

What helps me most is breaking down big ideas into small, actionable steps. For example, I’ve mapped out time to explore new techniques and complete works, while also dedicating space for developing my property to host artist residents and community workshops. By focusing on what I can do each day, I feel less overwhelmed and more connected to my goals.

This month, I’ve been reminded of the importance of patience and adaptability. Progress doesn’t always look the way we imagine, but it’s the consistency in showing up for our craft that makes the difference. For me, even small victories—a finished piece, a moment of inspiration, a new flower bud, or a thoughtful conversation—are worth celebrating.

As I move forward, I’m committed to taking intentional steps and letting the process unfold naturally, in it’s own time. I hope this inspires you to reflect on what’s meaningful to you this year and to take those first steps toward your own vision.

Thank You: To My Unstoppable Network of Creative ChampionsThank You Enablers

Art is never a solo journey. It’s a collaboration—a tapestry of moments, materials, and connections woven together by the generosity and resourcefulness of so many. Today, I want to pause and extend my deepest gratitude to each and every one of you who has played a part in keeping my art alive and thriving.

To the tireless hands and watchful eyes that have rescued abandoned shopping carts from dumpsters, gathered marine debris from beaches, and collected bottle caps, pull tabs, bread tabs, and corks—I see you. Your efforts do more than clean the planet; they infuse my art with purpose, grounded in your very essence.

To those who’ve rummaged through estate sales, dug deep into dumpsters, and thoughtfully passed along linens and other treasures—you don’t just fill my art supply bins; you ignite my imagination. Every item you’ve rescued carries a story, a potential waiting to be transformed into something extraordinary.

You are more than contributors; you are co-creators. Each time I knot, weave, or wrap these materials into new forms, I feel your dedication and your belief in the beauty of reinvention. Your efforts remind me that art isn’t just about the final piece—it’s about the community that makes it all possible.

Together, we are giving new life to what was once discarded. We are proving that beauty can emerge from the overlooked and forgotten. Thank you for being the stewards of this vision, for believing in the power of transformation, and for supporting me in ways that are both tangible and deeply meaningful.

Here’s to cleaning the planet, filling my bins, and keeping the creative spark alive. I couldn’t do this without you.

With love and immense gratitude, Theda

Racism = 1mm of Skin

“Racism is one millimeter of skin.” This phrase has been resonating in my mind recently. It’s such a simple, yet powerful statement about the absurdity of prejudice—how something as superficial as the color of our skin has been used to divide, categorize, and dehumanize people for centuries.

One millimeter. That’s how thin the barrier is between us. Beneath that tiny, fragile layer, we are all made of the same flesh, bone, and spirit. Yet, historically, societies have built entire systems around that minuscule difference, elevating one group while oppressing another, just because of a variation in melanin.

I think about this often, especially as an artist whose work digs deep into history, memory, and identity. When you consider how much of human potential, creativity, and connection has been lost or warped due to racism, it feels overwhelming. How could something so small—so biologically insignificant—be the root of so much pain, hatred, and injustice?

But this phrase also gives me hope. If racism is just one millimeter of skin, then the truth of our shared humanity is always right there, just beneath the surface. The work we do, whether in art, activism, or everyday life, peels away that layer, revealing the sameness that lies underneath. By recognizing this, we can begin to dismantle the structures of racism and build something more equitable, something that honors the depth of who we truly are, beyond appearances.

As an artist, I feel it’s part of my responsibility to highlight this—to create works that speak to that deeper connection, that challenge the notion that skin color should determine worth. And every time I create, I’m peeling back that one millimeter, layer by layer, hoping that others will join me in this slow, necessary process of seeing beyond the surface.

Register for 11/20 Textile Talk

LEARN & MAKE WITH SDA, PART 2
Textile Talk

With Lisa Klakulak, Theda Sandiford, Maggie Hensel-Brown, and Youngmin Lee
Wednesday, November 20, 2pm EST (convert time zone)
Spanning across media and disciplines, Surface Design Association is proud to present its Spring 2025 online workshop series! Join in to hear from four workshop instructors, Lisa Klaulak on wet felting, Theda Sandiford on incorporating found and upcycled materials into textiles, Maggie Hensel-Brown on lacemaking, and Youngmin Lee on bojagi.
Help us celebrate the many techniques and materials used in the field of fiber arts and get a sneak peek at SDA’s 2025 workshops! 

REGISTER NOW