Looking Ahead: My 2025 Art and Travel Adventures

2025 promises to be a year of growth and discovery, filled with opportunities to create, connect, and share meaningful experiences. Every step of this journey aligns with my mission to inspire dialogue about race, social justice, and the transformative power of art.

In January, I’ll serve as the Artist in Residence at the Miami Children’s Museum (January 16–19). I’m especially excited to lead a workshop on Emotional Baggage Carts, where I’ll guide children in using art as a tool for self-expression and emotional exploration. Integrating shadow work with creativity is central to my mission of reshaping conversations about race and social justice. Introducing these ideas to children through art feels like nurturing seeds of understanding and empathy for the future.


Sky Garden Gallery Retreat: Building a Creative Haven

Back at home, the transformation of the garage into my new art studio at Sky Garden Gallery Retreat is well underway and on track for completion by the end of January. This space will soon be the heart of my creative practice and the retreat’s residency program.

The first artist residents will arrive in January to join me in setting up the studio and foraging for art supplies around the property. In February, more residents will visit to help finalize the studio setup and begin building raised beds for growing dye plants. Watching this dream come to life—both as a functional studio and as a community space—feels deeply fulfilling. I’m eager to see how this new chapter unfolds and to share the space with artists who bring their own unique perspectives and practices.


March & April: Learning, Teaching, and Rome

March promises a month of creative exploration. I’ll lead the Textile Alchemy Workshop with the Surface Design Association, where participants will discover how to transform found and upcycled materials into meaningful textile art. By sourcing from diverse environments like beaches, urban areas, and even closets, this workshop highlights sustainability, resourcefulness, and innovation. Embracing a zero-waste philosophy, we’ll turn “waste” into “wonder,” finding artistic potential in the most unexpected places.

I’m also excited to participate in Jenine Shereos’ Knotless Netting Workshop, where I’ll delve into the art of layering material and meaning. Inspired by the rich history and versatility of netting, this workshop will open new possibilities for integrating this evocative technique into my practice.

In April, I’ll travel to Rome with my partner McCarty for an Easter pilgrimage (April 21–May 1), a journey blending history, spirituality, and artistic inspiration. We’ll explore the city’s architectural wonders, from the grandeur of St. Peter’s Basilica and the Pantheon to the timeless beauty of the Colosseum and Piazza Navona.

Amid these marvels, we plan to savor the city’s culinary delights, including many glasses of Brunello di Montalcino. From quiet moments in the Vatican Gardens to admiring the frescoes of the Sistine Chapel, this trip promises to nourish both my spirit and my artistry. I’m looking forward to seeing how Rome’s timeless beauty will impact my practice.


June: Milestones and Connections

On June 19, I’m thrilled to host the first public Studio Tour and Ecopark Walk at Sky Garden Gallery Retreat in St. Croix. This event marks a milestone in the development of our residency program and invites the community to experience the intersection of art, nature, and culture.

Guests will explore my studio and the surrounding property during an eco-focused walking tour, sipping refreshing, homemade bush tea while taking in the tranquil environment. It’s a chance to learn about how St. Croix’s natural beauty and rich cultural heritage inspire my work and the art created by visiting residents.

The studio tour is part of Discover the Rich Art & History of St. Croix, an unforgettable weeklong experience highlighting the island’s vibrant art scene and storied history. From visits to historic landmarks to beachside lunches and starlit evenings of music and fun, this tour is a celebration of all that makes St. Croix unique.

Click here for more details.

Later in June, I’m honored to have my work featured in Fiberart International 2025 in Pittsburgh, with the public opening on Friday, June 20, from 4:30–8:00 PM. On Saturday, June 21, I hope to join the weekend program, including an artist-led gallery tour from 11 AM to 12 PM, and a juror’s talk to follow.

Following Pittsburgh, I’ll head to MAFA 2025 in Millersville, PA (June 26–29). I plan to be in the Mid-Atlantic region (June 22-25) to visit galleries and connect with friends. If you’re attending MAFA or nearby DE, NJ, PA, let’s meet up! I’d love to catch up, share ideas, and celebrate the vibrant fiber art community. This month promises to be a rich mix of art, connection, and creative exploration.


As I look ahead, I’m filled with gratitude and anticipation. From creating in my newly completed studio at Sky Garden Gallery Retreat and mentoring resident artists to exploring the art, history, and architecture of vibrant new places, each moment feels like a chance to grow, connect, and share. This journey is constantly evolving, and I’m excited to see where it leads.

Reflecting on 2024: A Year of Growth, Creativity, and Connection

2024 has been a year of profound artistic exploration, meaningful connections, and transformative milestones. It began with Ponytails and Door Knocker Earrings, an installation at Time Equities in New York that enlivened the lobby from January to July. I’m deeply grateful to friends and colleagues who braved a freezing January evening to celebrate its opening with me.

Later in January, I participated in the Surface Design Association’s Parallel Play residency and conference, sharing my creative process through open studios and an artist talk. These exchanges deepened my connection with the SDA community.

Liquid Ice Detail

In February, I gave an inspiring talk with the Hudson Valley Mohawk Weavers, exploring weaving as a tool for Black self-expression and social justice. That same month, Metamorphosis: Recycled, Repurposed, Reimagined opened at Annmarie Sculpture Garden, featuring Beaded Braids – Double Dutch, a celebration of childhood, braiding, and the cultural significance of hair.

In May, my work Liquid Ice sold to the Guggenheim Museum at the 1-54 Contemporary African Art Fair, marking a milestone in my career. I also embarked on two artist residencies at Touchstone Center for Crafts, where I continued work on Free Your Mind, transcribing story ribbons and cataloging biases. The project expanded with exhibitions at Touchstone, Delaware Contemporary, and presentations at the American Folklore Society Annual Conference.

My Great Resignation Emotional Baggage Cart was a focal point this year. Featured as the postcard image for the Hunterdon Art Museum’s Uncontained: Reimagining Basketry and spotlighted in the 9th Annual SDJ Exhibition in Print, it examines themes of liberation and self-discovery. Repurposed materials, including vintage silk ties and a shopping cart substrate, challenge notions of value and redefine prosperity through inner fulfillment rather than material wealth.

Another standout was my Blackity Black Blanket series. Ladders was the cover image for the Beyond: Tapestry Expanded catalog and exhibition, while Chaise featured in the Newark Museum of Art’s Radical Reimagining. Both works explore implicit bias and the impact of microaggressions, symbolized by zip-tie blankets draped on ladders—a visceral portrayal of the weight of societal expectations and the struggle to rise above them.

In October, I led the Emotional Baggage Cart Parade during Art in Odd Places along NYC’s 14th Street. With the support of incredible volunteers, we transformed shopping carts into visual narratives of shared emotional burdens. Their contributions made this project truly special.

Free Your Mind, sharing a story ribbon

The year culminated with my presentation of Free Your Mind at the Textile Society of America Symposium, reflecting on the interplay of textiles, microaggressions, and healing. This was paired with immersive research at the American Folklore Society Annual Conference, where I explored themes of foodways, grief, the supernatural, and Indigenous knowledge.

This year, I’ve watched my work resonate with diverse audiences and evolve in unexpected ways. From exhibitions to residencies, artist talks, and public art initiatives, 2024 has been a celebration of creativity, community, and growth. I look forward to building on this momentum in the year ahead!

Exhibitions Closing In December

CLOSING SOON

Radical Reimagining

Dates: October 9 – December 1

Location: Newark Museum of Art; 49 Washington St, Newark, NJ

American Tapestry Association’s Beyond: Tapestry Expanded

Exhibition Dates: August 26- December 15

Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN 

November & Beyond Blog

THIS MONTH

Free Your Mind at American Folklore Society Annual Conference

Dates: November 6- 9

Location: Albuquerque NM

2024 Textile Society of America Symposium:”Shifts and Strands: Rethinking the Possibilities and Potentials of Textiles”

Dates: November 12-17

Location: Zoom 

ONGOING

Beyond: Tapestry Expanded

Exhibition Dates: August 26- December 15

Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN  

Radical Reimagining

Dates: October 9 – December 1

Location: Newark Museum of Art; 49 Washington St, Newark, NJ

NEXT 

This Easter 2025, McCarty and I are heading to Rome, and I can hardly contain my excitement. Rome has been on my travel list for as long as I can remember, and the fact that we’re going for Easter makes it all the more special. There’s so much to take in, and I’m already imagining all the incredible sights, sounds, and—let’s be honest—tastes we’re going to experience. I’m looking forward to the entire experience—soaking in the art, the history, the food, and, of course, the company.

Sneak Peek Beyond: Tapestry Expanded

Step into Beyond: Tapestry Expanded and experience Blackity Black Blanket Ladders, a powerful visual statement on resilience and protection. Crafted from commercial fishing nets and black zip ties, these striking ladders symbolize the climb out of racial gaslighting and into self-empowerment.

American Tapestry Association’s Beyond: Tapestry Expanded

Exhibition Dates: August 26- December 15Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN 

Emotional Baggage Cart Parade Kicks Off Today

Join me this weekend for The Emotional Baggage Cart Parade at the CARE Art in Odd Places Festival! This unique public art experience invites you to witness and engage with a visual metaphor for the emotional burdens we all carry. I’ll be roaming the streets with my transformed shopping carts, offering an interactive opportunity to explore and release your own emotional baggage.

Catch me at the following times and locations:

  • Friday, October 18: 12:00-2:00pm, roaming Avenue A to 3rd Avenue along 14th Street
  • Saturday, October 19: 12:00-2:00pm, roaming University Place/Union Square West to 7th Avenue along 14th Street
  • Sunday, October 20: 12:00-2:00pm, roaming Seventh Avenue to Eleventh Avenue or the water along 14th Street

Come say hello and experience this moving installation as we transform emotional weight into art. See you there!

Artwalk NY 2024

ARTWALK NY brings together hundreds of artists, art-lovers, and other compassionate New Yorkers to celebrate the role of “artist-as-activist,” to raise awareness about the crisis of mass homelessness and to support programs that directly help homeless individuals and families. The vibrant live and silent auctions and lively cocktail reception have drawn crowds of prominent guests for over 25 years, and in 2024, features the works of over 60 influential and emerging artists.

This year, ARTWALK NY will feature my piece titled Embody Queendom (2022) in the charity event. As a artist, I love to support worthy causes with my work, as a collector I love charity auctions for the opportunity to snatch up works from other artists at cost. So don’t miss out on this opportunity to grow your collection and support a worthy cause.

ARTWALK NY will also honor Katherine Bradford as the 2024 Artist Honoree and Aileen Agopian for her philanthropic contributions to Coalition for the Homeless.

Key details

October 21st, 2024

Chelsea Factory

547 West 26th Street NYC

6:00 pm – VIP Reception

7:00 pm – Cocktail Party and Silent Auction Open

7:30 pm – Live Auction and Award Ceremony

artwalkny.org

About Coalition for the Homeless

The Coalition for the Homeless provides emergency food and clothing, eviction prevention, crisis services, permanent housing, job training and special programs for kids to over 3,500 people a day. Since 1981, we have given more than one million homeless New Yorkers a way off the streets.

Radical Reimagining

When I learned that this year’s Newark Arts Festival theme was Radical Reimagining, I immediately knew that my Blackity Black Blanket belonged in the exhibition. The concept of Radical Reimagining challenges us to envision a world where art, culture, and connection shape everything we do. It’s a call to deconstruct the systems of oppression we know and to co-create communities based on equity and justice. Blackity Black Blanket fits right into this narrative by addressing the very real, yet often invisible, impact of racial gaslighting.

Blackity Black Blanket speaks to my personal experiences of racial gaslighting—those subtle, undermining comments that push me to doubt my own understanding of racism. Phrases like, “Are you sure it was about race?” or “You’re being overly dramatic,” are attempts to dismiss my reality and avoid difficult conversations. Over time, these interactions have weighed heavily on me, resulting in insomnia, anxiety, and emotional baggage that feels impossible to carry alone.

In creating this piece, I am reclaiming my power and crafting an aesthetic armor. The blanket, woven from recovered commercial fishing nets and adorned with thousands of black zip ties, acts as a shield—both literally and symbolically. It’s a form of self-protection against the weight of gaslighting, and through this work, I exorcise the demons of doubt that these interactions have instilled in me.

In the spirit of Radical Reimagining, Blackity Black Blanket embodies the idea of using art to confront uncomfortable truths and to build a world where marginalized voices are honored, heard, and protected. Just as Radical Reimagining calls us to reshape society, my work pushes for the acknowledgment and dismantling of racial gaslighting as we strive for a more just future.

Radical Reimagining

Dates: October 9 – December 1

Location: Newark Museum of Art; 49 Washington St, Newark, NJ

https://newarkartsfestival.com

October Exhibitions & Beyond

THIS MONTH

Radical Reimagining at the Newark Arts Festival 2024

Dates: October 9 – December 1

Location: Newark Museum of Art; 49 Washington St, Newark, NJ

Emotional Baggage Cart Parade at Art in Odd Places 2024

Dates: October 18-20

Location: Along 14th street NYC

Artwalk NY 2024

Date: October 21

Location: Chelsea Factory 547 West 26th Street

9th Annual Surface Design Association Exhibition in Print

Dates: October

Location: In Print

ONGOING

American Tapestry Association’s Beyond: Tapestry Expanded

Exhibition Dates: August 26- December 15

Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN  

NEXT 

Free Your Mind at American Folklore Society Annual Conference

Dates: November 6- 9

Location: Albuquerque NM. Register here.

2024 Textile Society of America Symposium:”Shifts and Strands: Rethinking the Possibilities and Potentials of Textiles”

Dates: November 12-17

Location: Zoom . Register here