This summer, the Museum of Contemporary African Diasporan Arts (MoCADA) presents Theda Sandiford: Hidden in Plain Sight, a dynamic presentation confronting the psychological and emotional impact of racial gaslighting in daily life.
On view now through August 23 in Nolan Park Building 7A, Governor’s Island, NYC.
More programming to come. Watch this space for dates and details
Bottle caps, neon yellow 550 paracord, 200′ neon yellow camo 850 paracord, hollow braided polyurethane rope, solar LED rope lights, recycled Fresh Direct bag and commercial fishing net, zip ties, gold spray paint on recovered shopping cart. Photo by April Tracey
When the lines between redistricting and gerrymandering are blurry…
Bottle caps, yellow 550 paracord, hollow braided polyurethane rope, solar LED lights, recycled commercial fishing net, zip ties, gold spray paint on recovered shopping cart. Photo by April Tracey
At night the sculpture lights up…
Bottle caps, yellow 550 paracord, hollow braided polyurethane rope, solar LED lights, recycled commercial fishing net, zip ties, gold spray paint on recovered shopping cart. Photo by April Tracey
When I am not invited to the party, I’ll just throw a little fiesta for myself…
1” cut strips of African print fabric, acrylic yarn, pony beads, pom poms, bells, 850 paracord, cool LED lights on a gold recovered shopping cart.
36 x 40 x 24 in, 2021
Racial Gaslighting, hides in plain sight in everyday interactions. It subtly shifts dialog from a racist topic at hand onto the accuser – forcing them to question and re-assess their own response to racism, rather than the racism itself.
“You’re being overly dramatic.”
“Are you sure it was about race?”
“I’m sure he/she didn’t mean it like that.”
Intentional or not, these types of comments trigger a spiral of self-doubt and create a convenient way to avoid uncomfortable conversations about race.
The constant questioning, twisting and undermining of what I know to be true – has had a compound negative affect upon me, manifesting in insomnia, anxiety and hefty amounts of emotional baggage. Through these works, I am exercising these demons.
This exhibition explores implicit biases facing BIPOC communities and the aesthetic armor for protection I have created to shield myself.
The show will be on view in MoCADA’s virtual exhibition hall from May 3, 2021 to July 5, 2021. Viewing link to follow. Sneak peak below…
We all carry emotional baggage. This manifests differently for each of us. Some of us carry shopping carts of pain and bitterness while some of us sport a tote bag. How we choose to handle our baggage makes a difference. We have the choice, to let it define us or to let it go and move forward.
My Baggage Carts are vessels for unresolved emotional baggage related to racial trauma. Each recovered shopping cart is woven with polyurethane rope, solar rope lights, doggie poop bags, plastic bottle caps and zip ties.
Redistricting
March 2021, Bottle Caps, yellow 550 paracord, hollow braided polyurethane rope, recycled commercial fishing net, zip ties, gold spray paint on recovered shopping cart. 36 x 40 x 24 in, 50LBs
Heights Over Springfield
March 2021, Bottle Caps, green 550 paracord, hollow braided polyurethane rope, recycled commercial fishing net, zip ties, gold spray paint on recovered shopping cart. 36 x 40 x 24 in, 50LBs
I Can’t Breathe -CPAC Baggage Cart
February 2021, CPAC Tubing, solar rope lights, gold 550 paracord, zip ties, gold spray paint on recovered shopping cart. 36 x 40 x 24 in, 50LBs