Blackity Black Ladders are at World of Threads until Jan. 14. 2024.
This International Festival of Fibre and Textile Art is in Oakville, Ontario, Canada. www.worldofthreadsfestival.com.
Conceptual Materials Social Practice Artist
Blackity Black Ladders are at World of Threads until Jan. 14. 2024.
This International Festival of Fibre and Textile Art is in Oakville, Ontario, Canada. www.worldofthreadsfestival.com.
It is the beginning of January and my 2024 calendar is already jam packed with exhibitions, talks and residencies… Have a look, at the dates and direct message me if you want to meet up while i’m in town for these upcoming events.
Dates: January 17- June 17
Location: Time Equities Lobby 55 5th Avenue, New York NY
Opening Reception: Jan 17 @ 6-8pm
There will be an in person artist talk in Marcy 2024, date TBC.
Date: January 27- February 3
Open Studio Jan 29 @ 2:00pm
Open Studio Feb 1 @ 2:00pm
Artist Talk Feb 3 @ 3:30pm ET
Exhibition Dates: February 3- 25
Opening Reception: Saturday, February 3 from 5 to 8 pm.
Location: Art House Gallery: 345 Marin Blvd, Jersey City, NJ
Date: February 8th, 8:00pm ET
Location: Hudson Valley Mohawk Weavers Zoom
Metamorphosis: Recycled, Repurposed, Reimagined
Exhibition Dates: February 9- April 21
Opening Reception: February 9 from 5 to 7pm.
Location: Annmarie Sculpture Garden & Arts Center; 13470 Dowell Rd, Solomons, MD
Dates: May 10-24
Location: Touchstone Center for Crafts; 1049 Sr2003, Farmington, PA
Dates: May 17 – September 20
Location: Touchstone Center for Crafts; 1049 Sr2003, Farmington, PA
Dates: May 17
Location: Touchstone Center for Crafts; 1049 Sr2003, Farmington, PA
Exhibition Dates: May 19, 2024 – September 2, 2024
Location: Hunterdon Art Museum, 7 Lower Center St, Clinton, NJ
Exhibition Dates: June 7 – August 30
Opening Reception: June 7, 5:00-9:00 pm
Location: Delaware Contemporary; 200 S Madison St, Wilmington, DE
Dates: July 16
Location: ZOOM Touchstone Center for Crafts; 1049 Sr2003, Farmington, PA
Exhibition Dates: August 1- December 15
Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN
Dates: September 13-27
Location: Touchstone Center for Crafts; 1049 Sr2003, Farmington, PA
Dates: September 20
Location: Touchstone Center for Crafts; 1049 Sr2003, Farmington, PA
In the realm of artistic expression, I find solace in the belief that art is not merely a static entity confined to galleries, canvases, or tapestries. Instead, it is a dynamic force capable of transcending traditional boundaries, sparking conversations, and ultimately fostering social change.
My journey as an artist has led me to embrace a social practice where the aim is clear: to channel the power of art as a tool for mobilization and as a space for critical dialogue.
Art, in its various forms, has the unique ability to captivate hearts, challenge minds, and ignite powerful emotions. It is a universal language that speaks to individuals across cultures and backgrounds. However, my conviction lies in the understanding that art is not the end goal; it is the means to a greater purpose — social change.
In a world marked by complex challenges and evolving societal dynamics, I aim to go beyond the confines of traditional artistic pursuits. By integrating social practice into my artistic journey, I have discovered the incredible potential to engage with communities on a deeper level. Art becomes a bridge, connecting diverse perspectives and providing a platform for unheard voices.
Excellence in Fibers is an annual juried exhibition from Fiber Art Now magazine. Out of the exhibition’s 40 artists featured in the magazine’s Winter 2023 issue, 16 artists were selected by guest curator Demetri Broxton to be exhibited at the San Jose Museum of Quilts and Textiles. The artists chosen showcase contemporary innovation through their techniques while working to address the most pressing issues of present-day society. It has been a distinct honor to participate in this show.
I got lots of fast growing Tan Tan trees in the wilds of my property in St Croix… maybe I could make them more interesting and weave them into a structure of some sort. I keep cutting the Tan Tan back and they keep coming back like weeds… Ideas percolating over here.
I use to drive my family crazy playing this song over and over. The video is a total trip.
January 27 – February 3, 2024
How does the synergy of collective creativity influence your artistic approach? In what ways do you derive inspiration from your creative community?
SDA’s upcoming online conference in 2024, titled “Parallel Play,” aspires to construct a communal environment where the confluence of individual artistic perspectives and collaborative creativity can be thoroughly explored.
Engage with fellow creators to investigate the transformative power of cross-disciplinary interactions, diverse interpretations, and shared discoveries in shaping innovative thought processes.
Immerse yourself in a week-long experience featuring presentations by esteemed speakers Ruth E. Carter and Nnenna Okore, accompanied by over 15 hours of diverse programming.
I will be participating as the conference as Artist in Residence with open studio hours on
Please register through SDA’s website. The conference will be held over Zoom and will be recorded and available to attendees until the end of March 2024.
If you missed Follow The Thread: Artemobidia in NYC last month. Here a a couple of clips to give you FOMO
In the whirlwind of our daily lives, the depth of meaning carried by ordinary objects often escapes our notice. Amidst the commonplace, the unassuming shopping cart emerges as an unacknowledged heroine, quietly threading its way through the intricate fabric of our societal and cultural tapestry.
Picture the shopping cart not just as a practical carrier of groceries but as a canvas adorned with the threads of our experiences. Crafted from materials that carry layers of metaphorical significance, each cart tells a unique story. The cool, metallic structure might symbolize suburbanism and convenience, yet simultaneously evoke contemplation about homelessness and food insecurity.
As we traverse the aisles of life, our hands establish a tangible connection with the world and the people around us. The materials speak in a silent language, open to interpretation by each observer. The rhythmic clatter of wheels against the floor becomes a beat accompanying us on the journey through life.
Much like a tapestry, the genuine beauty of the shopping cart lies in the unseen threads—intangible elements weaving through our emotions. It becomes a vessel for personal translations, reflecting our unique perspectives. Projecting meanings onto the cart’s textile, tangible and abstract emotions intertwine.
Placing items in the cart becomes a metaphor for life choices. What we choose to keep or discard mirrors the decisions we confront daily. The cart transforms into a tangible representation of our personal narrative, an evolving story told through the products we select and release.
Amidst the chaos, I encourage you to pause and peer more closely within. Engage with the materials, trace the contours of the cart, and reflect on the emotions it stirs within you. Consider your story—what memories do you deposit in the cart, and how does pushing it metaphorically align with navigating the twists and turns of your unique journey?
In the grand tapestry of life, the shopping cart assumes a central role as a silent yet powerful storyteller. Its materials, structure, and the experiences encapsulated within contribute to a narrative that is exclusively yours. So, the next time you find yourself guiding a shopping cart, remember, it’s not just about procuring goods; you are intricately weaving the fabric of your own story.