BookClub: Water Graves by Valerie Loichot

Water Graves by Valerie Loichot is a profound exploration of the ocean as both a literal and metaphorical grave, particularly in relation to the Middle Passage and the legacy of the transatlantic slave trade. Loichot examines how water serves as a site of memory, mourning, and transformation, holding the weight of untold histories lost beneath its surface.

One of the book’s most powerful themes is the duality of water as both life-giving and destructive. Loichot delves into how the ocean, while capable of erasing physical traces, becomes a vast memorial for those who perished in its depths. Her poetic reflections on the ocean’s capacity to obscure and reveal offer a nuanced understanding of how water embodies loss, survival, and cultural resilience.

Loichot captures the tension between water as both a destructive and life-giving force. This duality inspires my Lost and Found series, where I use marine waste—objects abandoned or displaced by hurricanes—as materials to create sacred vessels. Just as Loichot discusses the ocean as a space of burial, mourning, and sometimes recovery, my art reclaims these discarded objects from the water’s aftermath, transforming them into symbols of resilience and memory. With this series, each piece I create is a tribute to those lost in the Atlantic, while also reflecting on the environmental and cultural devastation left in the wake of these storms.

Loichot’s discussion of water as a boundary between life and death, presence and absence, resonates with my own artistic exploration of memory and spiritual protection. She writes about how water can obscure and reveal, how it holds the stories of the past even as it erases physical traces. This is something I aim to reflect in my work—the idea that what is lost in the water isn’t truly gone but rather transformed, just as I transform marine waste into something meaningful.

Loichot’s work is essential for anyone interested in how environmental and historical forces converge in the symbolic and real-world power of the sea. Through Water Graves, she reveals the emotional depth of the ocean’s role in shaping cultural identity, memory, and history.

Pitchy Plachy #2

This soft fiber sculpture is inspired by my research into the traditional masquerade costumes of St. Croix’s Old Time Christmas Festival.

It represents “Pitchy Patchy,” a character known for wearing a suit of tattered, colorful fabric pieces. In the festival, Pitchy Patchy acts as an enforcer, maintaining order among the carnival masquerades and performers.

Exploring Banana Leaf Mordanting: A Sustainable Dyeing AdventureBanana Leaf Mordant?!

I’ve been diving into the world of natural dyeing, and I’m especially intrigued by banana leaf mordanting. This innovative and eco-friendly method uses the tannins and plant-based compounds in banana leaves to help dyes bind to fibers, creating subtle and earthy color variations. It’s a beautiful way to combine sustainability with creativity, and I can’t wait to try it out for myself!

To make this happen, I’m planning to grow my own banana trees. I’m in the process of choosing the perfect spot in my yard—a sunny area with well-draining soil is ideal since banana trees thrive in warmth and humidity. I also need to make sure the location is sheltered from strong winds to protect their large, delicate leaves and promote healthy growth and fruit production.

This is just the beginning of the journey, and I’ll share more updates as the planting season progresses. I’m looking forward to the day when I can harvest my own banana leaves and experiment with their dyeing magic! Stay tuned.

Sign Up for Textile Alchemy Workshop

Marine line and more

Discover the magic of materiality in my Textile Alchemy workshop! Learn to transform found and upcycled materials into stunning textile creations.

Embrace zero-waste creativity and innovation while seeing material in a new way. Finally use the art material you have been holding on to—sign up now and craft something extraordinary!

Sign Up

After The Dance


After The Dance
Theda Sandiford
22x12x5”
Wire, beaded bib, chenille, ribbon, acrylic yarns, metallic rayon fabric, metallic yarn knotted and wrapped on three ply cotton rope.
2024

After The Dance is a vibrant homage to the spirit of Caribbean carnival festivities—a celebration of the transformative power of joy. This piece, crafted from wire, a beaded bib, chenille, ribbon, acrylic yarns, metallic rayon fabric, metallic yarn, and three-ply cotton rope, captures the kaleidoscope of color and movement that defines carnival.

The textures and materials intertwine to evoke the exuberance of masquerade costumes, the rhythm of soca and calypso, and the shimmer of sequins catching the sun.

Through this work, I reflect on the ephemeral yet profound nature of carnival. The piece is a snapshot of the moments “after the dance,” when the streets grow quieter but the energy of celebration lingers, echoing in our bodies and spirits.

After The Dance invites the viewer to celebrate the beauty of transformation, community, and the enduring cultural legacies carried forward through carnival—a vivid reminder that even in the aftermath, the spirit of the dance lives on.

DIY Kumihimo Braiding Tool Using Pharmacy Pill Blister Packaging

In our increasingly waste-conscious world, finding creative ways to repurpose everyday items can inspire both art and sustainability. One such project is crafting a Kumihimo braiding tool from something many of us have lying around: empty pharmacy pill blister packaging. This unexpected material makes for a sturdy, flexible, and recyclable tool to create stunning braided cords.

2025 ST. CROIX, US VIRGIN ISLANDS ART & HISTORY TOUR

YOU ARE INVITED!

Dates: Wednesday, June 18 – Wednesday, June 25, 2025
Group Size: Limited to 20 Participants
Book Now: Space is Limited!

Discover the Rich Art & History of St. Croix

Join us for an unforgettable week exploring the vibrant art, fascinating history, and breathtaking beauty of St. Croix in the U.S. Virgin Islands. This exclusive tour is packed with enriching activities and indulgent experiences, including:

  • Visits to historic landmarks showcasing the island’s storied past.
  • Intimate introductions to St. Croix’s vibrant visual arts scene.
  • Relaxing beachside lunches by the emerald green waters of Christiansted and Frederiksted.
  • Evening dining, music, and fun under the stars.

Your stay includes accommodations at the beautiful Caravelle Hotel, offering a perfect blend of comfort and Caribbean charm.


Special Highlights

As part of this immersive experience, you’ll also get to:

  • Tour my studio and property for an eco-focused walking experience.
  • Sip on refreshing, homemade bush tea during a relaxing afternoon.
  • Learn about the connections between art, nature, and culture in St. Croix.

Pre-Payment Deadlines

  • 1st Deposit: Tuesday, March 18, 2025
  • Hotel Room Deposit: Tuesday, March 18, 2025
  • Ground Transportation Payment: Tuesday, April 1, 2025
  • Hotel Room Full Payment: Monday, June 2, 2025

Self-Pay Items

  • Flights: Book your own travel and plan to arrive at St. Croix, USVI by Wednesday, June 18th at 3:00 PM.
  • Meals: Self-pay for all meals.

Explore More Details


This unique opportunity is limited to just 20 participants, so don’t wait! Contact Norma Krieger at normakrieger@aol.com to reserve your spot today.

Come immerse yourself in the beauty, culture, and creativity of St. Croix. We can’t wait to welcome you!

Exhibitions Closing In December

CLOSING SOON

Radical Reimagining

Dates: October 9 – December 1

Location: Newark Museum of Art; 49 Washington St, Newark, NJ

American Tapestry Association’s Beyond: Tapestry Expanded

Exhibition Dates: August 26- December 15

Location: Peeler Art Center at DePauw University; 204 E. Seminary St., Greencastle IN 

Purple Fiesta

When I’m Not Invited to the Party, I Throw a Little Fiesta for Myself

Theda Sandiford
Purple Fiesta
41 x 27 x 42 in  
1” cut strips of African print fabric, acrylic yarn, pony beads, pom poms, bells, 850 paracord, cool LED lights and ziptie blanket on a gold recovered shopping cart
2021

There’s something powerful about reclaiming joy, especially in spaces that feel exclusive or closed off. When I’m not invited to the party, I throw a little fiesta for myself—because joy, after all, is a form of resistance. This isn’t just about finding happiness but about creating my own space to celebrate life on my terms.

In my work, I built this Emotional Baggage Carts, layering vibrant colors, textures, and beads as a way to confront and carry the invisible weight of exclusion. But more than that, this cart is a declaration of self-worth and a release. This cart is a symbol of resilience—a reminder that even when the doors are closed, we still have the power to thrive.

Joy is transformative; it’s how we honor ourselves. By choosing joy, by dancing through our own fiestas, we reclaim the narrative and build new possibilities for ourselves—ones free from constraint, alive with self-love, and radiant with our own spirit.

Grass Is Not Greener

Theda Sandiford Grass Is Not Greener 40 x 21 x 39 in Gold painted recovered shopping cart with a bicycle bell, paracord, zip tie blanket, LED strobe light, batterie operated LED star lights and basket woven with marine line, fabric and paracord. 2022

“The Grass Is Greener” is a common idiom that expresses the idea that things always seem better, more desirable, or more appealing on the other side—often referring to someone else’s situation, possessions, or lifestyle. This phrase captures the human tendency to idealize what we don’t have and to believe that life would be better if we were in a different place or had different circumstances.

This suggests a sense of dissatisfaction with one’s current state, driven by the illusion that another situation might be more fulfilling or problem-free. However, it also implies that this perception may be misleading, as we are often unaware of the complexities and challenges that exist elsewhere.

This emotional baggage cart is filled with the weight of unmet expectations, the heavy burden of regret, and the frustration of chasing illusions. It carries the emotional toll of having uprooted oneself, either physically or mentally, in pursuit of something “better”—only to find that the new landscape is not as perfect as it seemed from a distance. This shopping cart serves as a metaphor for the journey of coming to terms with the complexities of desire and contentment, reminding us that fulfillment is often found not in the pursuit of what is elsewhere, but in the appreciation and tending to where we are now.